Episode 5 of Naive and Dangerous, the podcast series I record together with my colleague Dr Chris Moore. Nominally this is a podcast about emergent media, but in this episode, dedicated to war, we stray far into metaphysics territory. We start with a short definition of the generations of warfare – from the static lines of 1st generation war to hybrid 4th generation warfare which is both everywhere and nowhere. Then we go deep. Over 2 hours we cover Arjuna’s dialogue with Krishna before the battle of Kurukshetra, the devotio of Decius Mus, the song of Roland, Edward III and the Black Prince, Timur, the Eastern Front in WWII, kriegspiel, chess, go, the royal game of Ur, J.R.R. Tolkien, the Hobbit, the Lord of the Rings, H.G. Wells, the history of board games, Warhammer, the Total War series, and much more. Have a listen.
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This is Episode 4 of Naive and Dangerous, the podcast series about emergent media I am recording together with my colleague Dr Chris Moore. In this episode we discuss memes and the phenomenon of meme warfare. We start with a historical overview, beginning with ancient Sumer and the gods Enki and Asherah symbolizing the ur-memes of chaos and order, and then move onto the Egyptian god Kek and the emergent phenomenon of Kekism. We then move on to a definition of memes as frames influencing our perception of reality, and the emergent phenomenon of swarm-driven meme warfare as a dynamic contest over perception. Have a listen.
This is Episode 3 of Naive and Dangerous, the podcast series about emergent media I am recording together with my colleague Dr Chris Moore. In this episode we discuss space and various imaginaries associated with it. We start with Copernicus and Carl Sagan, and then move through the music of the spheres, cosmos and chaos, the space of creation myths and sagas, space as machine, space travel, the myth of the final frontier, parallel universes, lovecraftian space, and finally, Lagrange points. Have a listen.
100 Atmospheres: Studies in Scale and Wonder, which I co-authored with a few colleagues, and features my essay Comparative hierophany at three object scales, is now out in print on Amazon and Barnes and Noble, and available for download from Open Humanities Press.
I recently recorded 3 short YouTube lectures on developing digital artefacts. Previously, I’ve outlined how I use the concept of digital artefacts in my piece on teaching digital media in a systemic way. In brief, the digital artefact assessment framework I developed gives students the opportunity to work on projects with real-world implications and relevance, that is, projects with nonlinear outcomes aimed at real stakeholders, users, and audiences. The only criteria for a digital artefact are that 1] artefacts should be developed in public on the open internet, therefore leveraging non-linearity, collective intelligence and fast feedback loops, and 2] artefacts should have a clearly defined social utility for stakeholders and audiences outside the subject and program. Below is my lecture outlining the key aspects of the digital artefact development process.
Fail Early, Fail Often [#fefo] is a developmental strategy originating in the open source community, and first formalized by Eric Raymond in The Cathedral and the Bazaar. In the context of teaching and learning, FEFO asks creators to push towards the limits of their idea, experiment at those limits and inevitably fail, and then to immediately iterate through this very process again, and again. At the individual level the result of FEFO in practice is rapid error discovery and elimination, while at the systemic level it leads to a culture of rapid prototyping, experimentation, and ideation. Below is my lecture outlining the use of the #fefo philosophy in developing digital artefacts.
Fast, Inexpensive, Simple, Tiny [#fist] is a developmental strategy developed by Lt. Col. Dan Ward, Chief of Acquisition Innovation at USAF. It provides a rule-of-thumb framework for evaluating the potential and scope of projects, allowing creators to chart ideation trajectories within parameters geared for simplicity. In my subjects FIST projects have to be: 1] time-bound [fast], even if part of an ongoing process; 2] reusing existing easily accessible techniques [inexpensive], as opposed to relying on complex new developments; 3] constantly aiming away from fragility [simple], and towards structural simplicity; 4] small-scale with the potential to grow [tiny], as opposed to large-scale with the potential to crumble. Below is my lecture outlining the use of the #fefo methodology in developing digital artefacts.
This is the print version of an essay of mine to appear in an upcoming book I am co-writing with a few colleagues, titled 100 Atmospheres: Studies in Scale and Wonder. The book is coming out in July 2019 from Open Humanities Press, and it will be available in 4 different versions: as a standard paperback through Amazon, as free download through the Open Humanities Press site, through Scalar as an interactive space, and through Big Fag Press as a limited edition hardcover. Exciting!
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This is Episode 2 of Naive and Dangerous, the podcast series about emergent media I am recording together with my colleague Dr Chris Moore. In this episode we discuss the notion of the cyborg and the tension between being a cyborg and being a human. We start by unpacking the various meanings injected in the concept of a cyborg, using recent movies such as Alita Battle Angel and Ghost in the Shell as a starting point. As is our habit, we engage in extensive speculative analysis of the cyborg trope, from contemporary cinema, to cyberpunk, early science fiction imaginaries of robots, the assembly line, and ancient mythology. In the process we develop a definition of cyborg/humans and manage to have a lot of fun. Have a listen.
Another set of lecture slides from BCM112 Emergent Media, in which I discuss the way the internet paradigm alters the role of audiences in their interaction with digital media platforms and content. I concentrate on new types of networked participation and the value of content in an emerging media ecology characterized by the emergence of collective intelligences without gatekeepers.
These are the slides for the first two topical lectures from the subject BCM112 Emergent Media that I teach this session. In the first lecture I discuss Marshall McLuhan’s framework of understanding media, and the trajectory and dynamics of the process of convergence. I concentrate on the ways convergence affects industries, technologies, and audiences, establishing the parameters of the internet paradigm. In the second lecture I examine how ‘the medium is the message’ manifests itself in the process of digital production. I explore the kinds of experiences and production processes made possible by the emergence of a digital network economy.